Plugs

Luc Reid writes about the psychology of habits at The Willpower Engine. His new eBook is Bam! 172 Hellaciously Quick Stories.

Susannah Mandel’s short story “The Monkey and the Butterfly” is in Shimmer #11. She also has poems in the current issues of Sybil’s Garage, Goblin Fruit, and Peter Parasol.

Edd Vick’s latest story, “The Corsair and the Lady” may be found in Talebones #37.

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

The Tale of the Song

by Rudi Dornemann

I’m taking requests for my January stories. If there’s a person, place, or thing that you’d like to see appear in a Daily Cabal story, please leave a note in the comments. (Be forewarned, though, suggested story elements may be transformed a bit in the writing…)
–Rudi


A swordswoman hiking up a ravine toward the besieged city of M. heard a bird’s song. Not even the whole song, just a string of notes, falling quickly down then rising slowly up. It stuck in her head the whole march, through the silence when they couldn’t even whisper, and she found herself singing it under her breath to the beat of the battle’s parry and lunge. When they’d won and the city was free and the wine was plentiful, she sang it until she was hoarse, and her comrades sang with her.

By the next time they were hired into battle, the song had found words and an air of bravado. A song of attack and a song of victory. Twenty years later, when her war-band had become an army and then an empire, the tune slowed to an anthem, gathering about itself trumpet-glints and timpani-shadows on the morning of her coronation.

In the border-expanding years of the second empress’s reign, it was sung by schoolchildren and marched to in parades that seemed to happen twice a week or more.

When rebellion years sent the fourth empress into hiding, it was sung softly, almost prayer-like, behind drawn curtains late at night.

When the twin empresses eleven and twelve commissioned fleets of exploration, the song was transcribed for hundreds of foreign instruments in a score of unfamiliar scales.

When twenty-third empress abdicated by disappearing into the noonday crowd on the grand plaza, it attained a melancholy grandeur, sung in snatches as a kind of password — until the fifth regent banned it in the course of an anti-royalist purge.

And when, several tens of thousands years later, an explorer from shores more distant than the empire’s furthest borders picked up a music box that had just enough twist left in its springs to play the song (nearly as much of it as the barbarian swordswoman had heard that distant afternoon), it tingled in the explorer’s tentacles and lingered in her peripheral brain’s deeper nodes all the way back up to the comfort of the limit ship. With the rest of her planetside experiences, she loaded it into the memory pool. Next time they slipped through a particle/wave inversion, the ship merged the pool into the wider aether. Then the song quavered to life in trillions of minds on thousands of worlds and, this time, it would not be forgotten.

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