Plugs

Luc Reid writes about the psychology of habits at The Willpower Engine. His new eBook is Bam! 172 Hellaciously Quick Stories.

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Ken Brady’s latest story, “Walkers of the Deep Blue Sea and Sky” appears in the Exquisite Corpuscle anthology, edited by Jay Lake and Frank Wu.

Angela Slatter’s story ‘Frozen’ will appear in the December 09 issue of Doorways Magazine, and ‘The Girl with No Hands’ will appear in the next issue of Lady Churchill’s Rosebud Wristlet.

Archive for the ‘Angela Slatter’ Category

Brisneyland by Night – Part Six

Thursday, August 27th, 2009

I broke a panel of glass in the front door and let myself in. Ziggi, on lookout duty in the cab, studiously ignored my break and enter.

I crept along the long hallway to the kitchen. A door in the pantry floor was open. I guess when you’ve got a glamour around your house and you live in Ascot you think you’re bulletproof.

The stairway leading down was brightly lit. At the bottom: a large room, walls painted white. In the back corner, a round vat with a screw-down lid and pipes running into and out of it like a still. Behind that ran rows and rows of wine racks, stretching back into the shadows. The basement was much larger than the house above.

In the middle of it all a cold metal table, with Lizzie lying on it and next to the table stood a woman.
She looked like an Ascot matron. Maybe in her sixties, but her true age was concealed by a combination of cosmetics, a little glamour and a lot of Botox. She was short, a little thick around the waist, wearing an impeccable pale blue dress and elegant ash-blonde hair. Her knuckle-duster rings were probably worth more than my house.

‘Verity?’

I nodded.

She smiled. ‘You’re the reason she’s here, you know. I followed your scent – my, what a vintage you would have made when you were young! What wouldn’t I have done to take the tears from you? The wine tastes so much sweeter when it’s born of sorrow.’

‘You’re not eating them?’

‘No. If you take their tears you can’t use the meat. It’s too dry, tough. Really, it’s either wine or veal.’ She smiled.

‘Lizzie,’ I said. She didn’t stir. ‘Lizzie!’

‘She can’t hear you, dear. It’s a little sleeping spell until they go in the press. You don’t want panic; that sours things; but fear brings out the tears.’

‘Wake her,’ I said. ‘Wake her up and give her to me and we walk out of here. I tell no one about you.’

‘I knew your father – wonderful butcher. But rash, sloppy in his hunting.’

‘Bela Tepes knows I’m here,’ I lied. ‘You mess with me, you mess with him. You mess with him, you mess with the Weyrd Council.’

‘Two of my best customers are on the board, lovie,’ she said confidentially.

Wish

Wednesday, August 12th, 2009

I sit on my favourite rock at the edge of the lake and watch the girl with the clever fingers. She has come to ask a boon and knows there’s a price. I am uninterested, for they all fail.

A leather satchel is clasped in her arms. When she reaches the edge of the lake, she kneels down, heedless of grass and dirt stains on her skirts. She opens the bag, the metal clasp giving a snick that sounds loudly in the stillness of the night. She takes out an ancient book, the gold lettering on its spine reads Murcianus’ Little-known Lore.

Next: a pair of large silver shears; a small ball stuck with silver pins and needles; a spool of fine thread, silk, flax and spider’s web, bound by sheer dint of magic.

Blood covers the moon this night and there is both a weird clarity and a murkiness, shapes at once sharp and blurred.

I feel unaccountably excited.

The girl takes the shears. The water’s surface shines like quicksilver. She leans far out over it then proceeds to cut.

I can see the fabric of night and fluid ruche and crumple. She lays the pieces on the grass beside her. Reaching into the lake she pulls up long ribbons of water plant. The she begins to sew and continues for hours. Finally she bites the eldritch thread and holds the dress up.

It has long skirts and a tight bodice, fitted sleeves with bows made of lake-weed. It is the colour of my eyes, green and black and blue and all shades in between.

Once when maidens made offerings of dresses I marvelled over them looking so lovely up in the light. In the water, I would find that bereft of air and sun, they had somehow died. I could not swim in them.

She slips it over my head, laces the stays tight. The touch of it is cold and damp and it feels like a second skin. It moves ever-so-slightly with a current.

I dive in and my new dress does not hamper me; it flows and floats, part of the water and yet still separate from it. There is no gentle sluggish sensation of being wrapped in a wet winding sheet and thinking ‘So this is how they feel when they drown’.

Finally, I head to the surface. I have a wish to grant.

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