Plugs

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

David Kopaska-Merkel’s book of humorous noir fiction based on nursery rhymes, Nursery Rhyme Noir 978-09821068-3-9, is sold at the Genre Mall. Other new books include The zSimian Transcript (Cyberwizard Productions) and Brushfires (Sams Dot Publishing).

Read Rudi’s story “Detail from a Painting by Hieronymus Bosch” at Behind the Wainscot.

Angela Slatter’s story ‘Frozen’ will appear in the December 09 issue of Doorways Magazine, and ‘The Girl with No Hands’ will appear in the next issue of Lady Churchill’s Rosebud Wristlet.

Archive for the ‘Jonathan Wood’ Category

Perspective

Monday, July 13th, 2009

Four centuries after Colnel Braithwaite discovered Shangri-La, the bottom fell out of the Yeti market. Their furs were so prevalent and the creatures themselves so rare that anything new was too expensive to afford, and anything old was worthless.

This disaster was the final breaking point for the community that had grown up in the beautiful valley hidden among the Himalayan peaks. At first, of course, all had been well. There had been the celebrations at the valley’s discovery, then the joys of immortality brought about by the fountain at it’s heart, then the marriages, and children, and endless bounty.

But then had come the Sherpa uprising, and the quarrel between Braithwaite and Elkin, his old corporal, and Elkin’s settlement to the north, and then there had been the fracturing loyalties of Braithwaite’s sons, until he found he could barely walk more than a stone’s throw from his tent door before coming to someone else’s territory.

And so then had come the treatises and the chopping down of trees to form jagged barriers, and the carefully negotiated neutral grounds, for trade and hunting. And then the damn Yetis had gone and died out on him. Couldn’t even trust the wildlife of this thrice-damned valley to copulate properly.

War was the only option.

With the fountain’s waters there were few deaths. At least one inhabitant did, however, consider it–Braithwaite’s great grandson, Charles. He looked out over the valley and saw none of the green he had been told of, none of the trees. Only the criss-crossing of stockade and trench.

It seemed too much like cowardice to simply die though–a soldier’s mentality still persisted in the Colonel’s descendants. Instead Charles tactically retreated into the steep mountain slopes that defined the periphery of his world.

After three months of gnawing the bones of mountain goats, he stumbled over a cave that became a tunnel, that led deep through the rock until he gazed upon a new landscape. Charles saw snow–white and glistening; saw clouds below, stretching out, and saw through them a land he could never have dreamed of. He saw a land of silver and green, bright and beautiful. A land lush with life, and yet, when he strained his ears, all he heard at this height was a few birds, the crunch of snow beneath his feet. And it looked for all the world, like paradise.

A Night on the Town

Friday, July 3rd, 2009

Let us walk among the menagerie. Let us peruse its delights. See this one here, the way the flesh peels back, the exposed musculature, the sinew flexing, the streaks of fat glistening. Have you ever seen such a thing? Have you ever beheld such a thing?

And this other, this female. Such colors, such beautiful staining beneath the skin. All the colors of decay – green and black and purple and white. Like a rainbow of death she is, amongst them all. They approach her, they back away, they are uncertain. They fear her purple teeth.

And the song of this one, growing louder with each sip he takes. What fluid can cause such a display, all colors and sound? See how its mouth flays the flesh even as it sings, each increasing exertion on its part causing ever more damage. Yet it carries on oblivious as its blood pools around its feet, warning the others away.

Let us walk among the menagerie. Let us lick them, taste their salt and their heat. Look how they arch at the touch. They love it, you know. For just a little while. But our fluids will scar them, will etch them. We are like sculptors, and they like clay.

See this one, the small one. It is deadly. Like a viper, like a cuckoo. Do not let it touch your eggs with its oh-so-white hands. It looks like porcelain but its heart is dullest stone.

And this one, it has edges. Oh, how they bite at you. Posions so bitter you they will bottle your blood when you are gone.

They are dangerous, yes, these creatures, though we have such power of them. You laugh, I see you behind your mask. Oh yes I see you. And they see you too. For in observing we too are observed. Even as we seek a dish to serve, so too do they. Do not forget the rules of the menagerie. Always remember that beneath our clay, our silk, our layers of wax and pus, we are animals too. And one must always feed the animals, lest the animal feed on you.

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