Plugs

Jonathan Wood’s story “Notes on the Dissection of an Imaginary Beetle” from Electric Velocipede 15/16 is available online.

Jason Fischer has a story appearing in Jack Dann’s new anthology Dreaming Again.

Read Daniel Braum’s story Mystic Tryst at Farrgo’s Wainscot #8.

Jason Erik Lundberg‘s fiction is forthcoming from Subterranean Magazine and Polyphony 7.

Archive for the ‘Rudi Dornemann’ Category

Another Winter’s Fantasy

Wednesday, December 30th, 2009

Here’s this year’s installment in the series that includes A Winter’s Fantasy and A Winter’s Fantasy II, once again a tip of the hat to the esteemed Mr. Ogdred Weary.


Uncle Cuthbert summoned us to his rooms in the North Wing. Edmund and I found him there, propped up on a heap of pillows with a lily-pad-pattern comforter pulled up to his chin and fires blazing on either side of the bedroom.

He was always sick, but we’d never seen him this bad.

“The countess assures me of your discretion,” he said, and we tried to act humble while he caught his breath. “I have… a task.”

He coughed several minutes before continuing. “The pond. Where I studied. Many years. Dangerous. In this cold. Creatures. Keep in. Walls up. Don’t…”

That was all he had strength for. His doctor wouldn’t let us wait for him to wake.

The woods were frigid — tree trunks coated with ice, path glazed slick. It was hard to walk, but not hard to find the pond. A little path led from the shack that had been Uncle Cuthbert’s research station.

We didn’t see any wall, although we tromped through the woods until our feet felt like stones. Pieces of glass lay everywhere on the ground, like windowpanes without windows. A few leaned up against trees.

“That could be a wall,” said Edmund.

We made quick work of it, setting up a wall of glass all around the pond, then hurrying home to thaw by the fire.

The glass was still there the next day; it must have worked.

Dark came quickly under the trees. We’d worn warmer coats and triple socks, and thought we’d wait to see what we were holding back.

They lifted themselves from the pond around moonrise. Long fingers, long noses like icicles — they were icicles. When they rickety-walked closer, I could see air bubbles, trapped insects, and bits of water plants inside their transparent bodies.

I backed up. They could just slip through between the panes. But the glass distracted their sharp fingertips. They drew patterns, lacy, intricate, mesmerizing to them and us. We wouldn’t survive sitting there like statues until morning — our coats weren’t that warm, and our socks were full of snow.

I couldn’t move my eyes, but could — barely — move my hand. I found a rock. I don’t remember throwing it, just the crash, the shrieking, their icy-sharp fingers on the backs of our necks as we ran all the way back to the house, and the shivers we couldn’t shake until summer.

The Tale of the Song

Thursday, December 10th, 2009

I’m taking requests for my January stories. If there’s a person, place, or thing that you’d like to see appear in a Daily Cabal story, please leave a note in the comments. (Be forewarned, though, suggested story elements may be transformed a bit in the writing…)
–Rudi


A swordswoman hiking up a ravine toward the besieged city of M. heard a bird’s song. Not even the whole song, just a string of notes, falling quickly down then rising slowly up. It stuck in her head the whole march, through the silence when they couldn’t even whisper, and she found herself singing it under her breath to the beat of the battle’s parry and lunge. When they’d won and the city was free and the wine was plentiful, she sang it until she was hoarse, and her comrades sang with her.

By the next time they were hired into battle, the song had found words and an air of bravado. A song of attack and a song of victory. Twenty years later, when her war-band had become an army and then an empire, the tune slowed to an anthem, gathering about itself trumpet-glints and timpani-shadows on the morning of her coronation.

In the border-expanding years of the second empress’s reign, it was sung by schoolchildren and marched to in parades that seemed to happen twice a week or more.

When rebellion years sent the fourth empress into hiding, it was sung softly, almost prayer-like, behind drawn curtains late at night.

When the twin empresses eleven and twelve commissioned fleets of exploration, the song was transcribed for hundreds of foreign instruments in a score of unfamiliar scales.

When twenty-third empress abdicated by disappearing into the noonday crowd on the grand plaza, it attained a melancholy grandeur, sung in snatches as a kind of password — until the fifth regent banned it in the course of an anti-royalist purge.

And when, several tens of thousands years later, an explorer from shores more distant than the empire’s furthest borders picked up a music box that had just enough twist left in its springs to play the song (nearly as much of it as the barbarian swordswoman had heard that distant afternoon), it tingled in the explorer’s tentacles and lingered in her peripheral brain’s deeper nodes all the way back up to the comfort of the limit ship. With the rest of her planetside experiences, she loaded it into the memory pool. Next time they slipped through a particle/wave inversion, the ship merged the pool into the wider aether. Then the song quavered to life in trillions of minds on thousands of worlds and, this time, it would not be forgotten.

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