When Love Goes Wrong

by Luc Reid

“There you are,” Nessa said when Guy walked into the apartment. “I was worried you’d have trouble finding it.” He took off the coat and looked around the place, his eyes skimming over some things, resting perplexedly on others. She hung his coat on the rack and wrapped her arms around him.

“Home,” he said tentatively. Then he kissed her behind the ear and buried his face in her hair. He breathed in deeply and said it again, with more confidence. “Home.”

She took him by the hand and led him to the kitchen, where she had set out scallops and other ingredients. He immediately began to cook, visibly brightening as he did so. There had been very few of Guy who didn’t love to cook. “Is it much different in this universe than the one you’re from?” she said.

He made a face. “Let’s not compare notes again. We always do that. Some things are the same, some things are different. Although I think the government’s better in this one than in mine. It got very dark there by the time I started traveling.”

Despite what he’d said, this launched them into a conversation that carried them all through cooking, dinner, and cleanup, right onto the couch after dinner, where they sat drinking little glasses of sherry, a taste she had developed specifically because it wasn’t natural to her. Guy always seemed to enjoy when she was a little different. She leaned back against his chest, and he wrapped his arms around her.

“I love the beginning,” she said.

“As if we ever have anything else,” Guy said, smiling.

“I’ll miss you when you go on to the next me, though.”

“Me too.”

They sipped sherry.

“I hope I never see the first you again, though,” she said. “Three years with that bastard …”

“I know. The first you was awful after a year or so.”

“Somewhere, I bet he’s saying that about me,” Nessa pointed out.

Guy nodded, but neither of them was really unhappy about it. When you love someone, they both felt, you find a way to stay together regardless.

In the Bleak Midwinter

by Rudi Dornemann

Following yesterday’s “Masker.”

The drummer drums.

I march. I sing

Behind us is a procession of ghosts, all singing the song that won’t leave my head as long as I wear this mask, the same mask they also wear. All of us marching in time to the drum, up and down a series of hills through unbroken snow.

I force a word out between teeth gritted against chattering. “Where?” It’s the next hill before I manage another: “Going?”

The drummer points with the human thigh bone he’s been using for a beater and the whole parade is still. On the top of the next hill, a human-shaped, tree-tall figure stands against the half-risen moon, which shines waveringly through it–a statue of glass?

Up the final, steepest hill and the statue turns out to be ice, a colossus with a tangle of white cloth in the depths where its heart should be. The ghosts march past me, silent now, and ring the statue. The drummer doffs his hat in an exaggerated bow, as if he wants me to step forward. He taps the drumhead lightly, twice, and my feet move me into the circle.

The ghosts reach out, mouthing the song I can’t hear in my head anymore.

That tangle of the cloth, I realize, is an angel, its wings in tight like a dead bird’s.

I reach out and the ice burns my palm. I’ve forgotten the song.

The ghosts are still silent, but watching their exaggerated enunciation brings the slightest whisper to my mind and I croak a single tentative note, then another, the tune gathering force until I’m shouting the refrain.

The statue shatters to splinters. The moon ignites like a circle of paper, becomes the sun. The angel, freed, falls forward in a slow-motion tumble, cradling a burning clock in its arms. Just before it hits the ground, the angel convulses its wings in a downbeat with a sound like thunder, and it’s gone.

The drummer collapses in a heap of rags, and I tear the mask from my face. I can remember my name.

In the strengthening light, I recognize this hilltop, a couple miles from the family and life I left behind. The ghosts fade–not ghosts, but echoes of this same ritual carried out in previous years, by previous maskers, as a trace of me will return, I’m sure.

I hurry home while, somewhere above, the clock still burns.